Pang is a Chinese-American scratcher Based in📍the Bay Area
Stop scrolling. You are entering my home gallery. Please take off your shoes before you proceed.
Below is a smattering of work i’ve traded ink for. please enjoy. Each artist’s links are listed.
FLAIL, 2022
Steel, Charred Wood Handle
She also named this mug after me!
Custom mug & set of six cups, 2020
Tracy made these cups for my mother. She uses them every day.
Don’t Look at Me, 2018
Centered around seeing domestic spaces and objects as visual parallels to our own interiority. Envisioning the home as a vessel for the body, and the body a vessel for the mind, this work was made to highlight how this kind of holding speaks to the holding power of vessels like a mug, a jug, a chair, a mirror, or an outline.
Install photos taken by Johnny Galvan: www.johnnygalvan.com
Untitled, 2018
44 x 52 Print
Waiting, Watching Spiders Weave, 2020
1 of a series of 9 ceramic pieces
porcelain (frost)
“This piece is part of “Waiting, Watching Spiders Weave” a body of work made during my residency with Mutual in the spring of 2020 when the California Shelter-in-place was announced. These pieces became a way to ground myself when everything else was in chaos.”
- Penelope
Slip, 2019
Dimensions Variable
Inkjet Print on Chiffon and Steel
By: Nicholas gottlund
Holding the Frame, 2016
Four color offset printing,
OTA-bind cover with foil stamp.
Edition of 500
24.8 x 28.8 cm, 208 pages
ISBN 978-87-92988-16-4
Co-published by LV & Gottlund.
This book follows Image is Imminent and conflates the past four years of work by the artist. The title Holding the Frame came to the artist while watching Agnes Martin’s film Gabriel. In her film, everything within the frame appears in near-constant motion while the camera is clearly hand held and also continually wavers. The book directly engages with Gottlund’s Beholder and Spanner works as well as the many recognized and more ad hoc tools of the print industry. In concert with his photographs and sculptural works, Gottlund has written an experimental text which is hacked, ripped and pieced together from other artist’s writings, design manuals, book reviews and press releases. The text has been reproduced at the end of the book.
This was a trade with Flemming Ove Bech, co-founder of Lodret Vandret, an independent imprint based between Copenhagen and Berlin. Thank you flemming!
by Marge Monko
Don’t Wind It Up, 2016
Two-colour spot printing
with risograph insert.
Edition of 300.
25 x 30 cm, 52 pages.
Designed by Lodret Vandret.
Text by Marge Monko.
Insert printed by Colorama.
ISBN 978-87-92988-17-1
Printed in only chroma-key green and chroma-key blue Pantone inks, this publication works as it’s own portable green-screen studio. The risograph insert was produced during a three-day performative workshop, Swap Party, using images made on-site by the artist utilising the book as backdrop for photographing of the hands and wristwatches of the attending visitors. Swap Party took place during Book Days in Berlin, 2016.
The text, written by Marge Monko with quotes by Erica Jong, Jaques Lacan, Karl Marx and Hermann Weyl, is a play for male and female actor in five parts. It is based on the construction of desire used in advertising photography – a genre in which stylistic means have changed over time, but its semantic meaning has always remained the same. Two actors – female and male – read sentences from different wrist watch advertisements from the 1970s and 1980s, and re-enact the compositions of hands used in these advertisements. The shapes and graphic elements in this book are inspired by these ads.
This publication is an interpretation and re-work of the publication, Don’t Wind It Up, Turn It On published by Lugemik.
